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Why Lagos Space Programme is pulling out of Paris Fashion Week

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Among the photos of the International Woolmark Prize winners of 2023 was a joyful shot of Lagos Space Programme’s founder Adeju Thompson holding his trophy above his head — a triumphant moment for the Nigerian designer. Almost exactly a year later, Thompson is at another tipping point: he’s pulling out of Paris Fashion Week men’s in June amid a strategy rethink.

The decision shines a spotlight on the challenges African designers face when trying to scale internationally. “It’s so hard for designers in the West [to build a sustainable and profitable business]. Now think about how hard it is for a designer from the continent,” says Thompson, who was slated to showcase his Spring/Summer 2025 collection on 23 June in Paris. He plans to return to the schedule in January 2025.

Adeju Thompson (middle) wins the International Woolmark Prize for Lagos Space Programme in 2023.

Photo: Julien M. Hekimian/Getty Images

“Being in Paris and being on the official schedule has always been a huge dream of mine,” says Thompson. However, for an emerging designer with limited cash flow, showcasing in one of the major fashion capitals is a huge expense, he flags. Thompson spent approximately €53,000 on his AW24 presentation in January, but didn’t see a high enough return on investment.

He also points to the wider luxury slowdown: “We’re operating like fashion is the same way it was 20 years ago, but it’s not. The market, especially in Paris, is highly competitive and has reached saturation point, being a great designer is not enough.” The relationship with wholesale partners is becoming increasingly volatile, he adds; last year, one multi-brand retailer didn’t pick up an order worth €9,000. In order to generate cash, Thompson launched a microsite and is now selling the collection there.

It was time for a reset. “Pulling out [of Paris this season] means we have money to use in other important aspects of Lagos Space Programme that can really help us make sure we create a sustainable business,” he says. This includes preparing the brand’s direct-to-consumer e-commerce site, which is launching this summer, partly supported by Woolmark. Slowing down will also give him time to introduce more commercial pieces to his portfolio, such as T-shirts and jeans, on the advice of buyers and press. He plans to come back in January with a well-rounded collection that is more attractive to international buyers, he says.

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